{"id":20190,"date":"2025-04-29T12:07:43","date_gmt":"2025-04-29T12:07:43","guid":{"rendered":"https:\/\/www.latribunedufaso.net\/?p=20190"},"modified":"2025-04-29T12:07:43","modified_gmt":"2025-04-29T12:07:43","slug":"patrimoine-culturel-et-recherche-scientifique-moctar-sanfo-se-penche-sur-le-site-de-sculptures-sur-granite-de-laongo","status":"publish","type":"post","link":"https:\/\/www.latribunedufaso.net\/?p=20190","title":{"rendered":"Patrimoine culturel et Recherche Scientifique : Moctar Sanfo se penche sur le Site de sculptures sur granite de Laongo"},"content":{"rendered":"

Le Directeur G\u00e9n\u00e9ral de la Culture et des Arts a d\u00e9fendu avec succ\u00e8s sa th\u00e8se de Doctorat unique en \u00ab Histoire de l\u2019Art et Patrimoine Culturel \u00bb<\/em> \u00e0 l\u2019Universit\u00e9 Norbert Zongo \u00e0 Koudougou, le 26 avril 2025.<\/strong><\/p>\n

Sous la Direction de Docteur Adama Tom\u00e9, Maitre de conf\u00e9rences en Histoire de l\u2019Art \u00e0 l\u2019Universit\u00e9 Norbert Zongo, Moctar Sanfo s\u2019est pench\u00e9 sur le th\u00e8me \u00ab Les sculptures sur granite de Laongo (Burkina Faso) : Approche stylistique, th\u00e9matique et de sauvegarde des \u0153uvres d\u2019art \u00bb.\u00a0<\/em><\/strong>\u00a0<\/p>\n

A travers ce th\u00e8me de recherche, il analyse les donn\u00e9es relatives au contexte g\u00e9o-historique en lien avec la zone d\u2019\u00e9tude. Il fait un rappel des p\u00e9rip\u00e9ties qui ont conduit \u00e0 la fondation du royaume de Wubr-tenga, devenu plus tard le royaume de Wogodogo. L\u2019analyse du contexte prend en compte une monographie du village de Laongo, anciennement connu sous le nom de W\u03b5\u03b5g-tenga. En effet, ce village a \u00e9t\u00e9 fond\u00e9 par Naaba W\u03b5\u03b5ga, le chef des T\u00e3n-sob\u1ebdn-d\u00e3mba (Guerriers) qui faisaient partie des compagnons de Naaba Wubri.<\/p>\n

Il faut souligner que les investigations de M. Sanfo lui ont permis de faire un aper\u00e7u historique de la production des sculptures sur les affleurements granitiques \u00e0 Laongo. En effet, en m\u00eame temps que les cr\u00e9ations artistiques ont permis la transformation de ce site jadis r\u00e9serv\u00e9 aux activit\u00e9s agricoles et pastorales, elles rendent possible une mutualisation des connaissances des artistes \u00e0 travers leur participation aux \u00e9ditions successives du symposium international de sculpture sur granite de Laongo, et ce, depuis 1989.\u00a0<\/p>\n

\"Soutenance<\/a>
Moctar Sanfo est fait Docteur en Histoire de l\u2019Art et Patrimoine Culturel, avec la mention tr\u00e8s honorable – Ph. DR<\/figcaption><\/figure>\n

Moctar Sanfo fait ressortir dans ses analyses l\u2019int\u00e9r\u00eat croissant des parties prenantes, la pleine adh\u00e9sion des habitants du village de Laongo \u00e0 ce projet qui \u00e9tait port\u00e9 par les artistes, et le r\u00f4le d\u00e9terminant de l\u2019\u00c9tat \u00e0 travers le d\u00e9partement en charge de la culture.<\/p>\n

M. Sanfo d\u00e9montre clairement que le contact du site par les sculpteurs a permis de mettre au jour une importante collection d\u2019\u0153uvres d\u2019art dont l\u2019analyse historique des styles et des techniques permet d\u2019entrevoir une origine \u00e9loign\u00e9e des arts plastiques, notamment la sculpture dans les soci\u00e9t\u00e9s traditionnelles.<\/p>\n

Abordant l\u2019analyse iconographique et iconologique des sculptures sur granite de Laongo, le DG Sanfo laisse comprendre que la richesse et la qualit\u00e9 des collections d\u2019\u0153uvres d\u2019art du site sont une source d\u2019\u00e9changes, d\u2019innovation et d\u2019imagination.\u00a0<\/p>\n

Dans cet exercice, il d\u00e9crit les techniques utilis\u00e9es par les artistes pour la cr\u00e9ation de leurs \u0153uvres et pr\u00e9sente les \u0153uvres d\u2019art suivant les approches de style et de forme. Foi de l\u2019auteur, ces formes, styles et volumes expriment des messages de sources d\u2019inspiration diverses.\u00a0<\/p>\n

\"Soutenance<\/a>
Une vue des participants \u00e0 la soutenance – Ph. DR<\/figcaption><\/figure>\n

Son travail de recherche aborde les th\u00e9matiques qui sont d\u00e9velopp\u00e9es par les artistes sur le site de sculptures sur granite de Laongo. La richesse des th\u00e9matiques et la qualit\u00e9 des productions justifient l\u2019attractivit\u00e9 du site, en m\u00eame temps qu\u2019elles posent la probl\u00e9matique de la sauvegarde des \u0153uvres d\u2019art qui sont soumises \u00e0 divers facteurs de d\u00e9gradation. Apr\u00e8s avoir \u00e9lucid\u00e9 les facteurs de d\u00e9gradation, M. Sanfo propose une alternative \u00e0 travers la d\u00e9finition d\u2019une approche en vue d\u2019une meilleure sauvegarde des \u0153uvres d\u2019art.<\/p>\n

Au terme de son travail de recherche, il \u00e9voque des sujets d\u2019int\u00e9r\u00eat qui peuvent faire ult\u00e9rieurement l\u2019objet de recherche. Cette ouverture permet de dire que le site de sculptures sur granite de Laongo reste un v\u00e9ritable chantier qui m\u00e9rite d\u2019\u00eatre davantage explor\u00e9 par les \u00e9tudiants et les chercheurs.<\/p>\n

\n

Lire aussi >> Soutenance de th\u00e8se : Badza Kodami analyse le cycle de vie des centrales photovolta\u00efque des pays en voie de d\u00e9veloppement<\/a><\/p>\n<\/blockquote>\n

A l\u2019issue de sa prestation devant le jury compos\u00e9 du Professeur Ludovic Ouhonyiou\u00e9 Kobora, Directeur de Recherche \u00e0 l\u2019Institut des Sciences des Soci\u00e9t\u00e9s, du Docteur Emery Patrick Effiboley, Maitre de Conf\u00e9rences en Histoire de l\u2019art \u00e0 l\u2019Universit\u00e9 d\u2019Abomey Calavi au Benin, de la Docteure Foniyama \u00c9lise Thiombiano\/Ilboudo, Maitre de Conf\u00e9rences en Arch\u00e9ologie \u00e0 l\u2019Universit\u00e9 Joseph Ki-Zerbo, du Docteur Noaga Birba, Ma\u00eetre de Conf\u00e9rences \u00e0 l\u2019Universit\u00e9 Norbert Zongo et du Docteur Adama Tom\u00e9, Maitre de Conf\u00e9rences \u00e0 l\u2019Universit\u00e9 Norbert Zongo, Moctar SANFO est fait Docteur en Histoire de l\u2019Art et Patrimoine Culturel, avec la mention tr\u00e8s honorable.<\/p>\n

latribunedufaso.net\u00a0<\/strong><\/p>\n

Source : SCRP\/DGCA<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Le Directeur G\u00e9n\u00e9ral de la Culture et des Arts a d\u00e9fendu avec succ\u00e8s sa th\u00e8se de Doctorat unique en \u00ab Histoire de l\u2019Art et Patrimoine Culturel \u00bb \u00e0 l\u2019Universit\u00e9 Norbert Zongo \u00e0 Koudougou, le 26 avril 2025.<\/p>\n","protected":false},"author":5,"featured_media":20192,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,1,8],"tags":[935,934,936,933],"class_list":["post-20190","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-une","category-actu","category-societe","tag-histoire-de-lart","tag-moctar-sanfo","tag-patrimoine-culturel","tag-soutenance-de-these"],"yoast_head":"\nPatrimoine culturel et Recherche Scientifique : Moctar Sanfo se penche sur le Site de sculptures sur granite de Laongo - La Tribune du Faso<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.latribunedufaso.net\/?p=20190\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Patrimoine culturel et Recherche Scientifique : Moctar Sanfo se penche sur le Site de sculptures sur granite de Laongo - 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